Thursday, July 18, 2019
Dresden and the Destruction of Vonneguts Dream :: Slaughterhouse-Five Essays
Dresden and the Destruction of Vonnegut's Dream           The  little dream  Vonnegut took with him to war was not  founded on  the rubble of insanity,  absurdity, and irrationality  that  he experienced  in WWII.  His dream  was founded  on order,  stability,  and   justice.  It  was   founded  on  what   Dresden  symbolized.  And when  Dresden evaporated  so too  did Vonnegut's  dream. (Klinkowitz 223)          Vonnegut's views on death,  war, technology and human nature  were all affected  by his experience in Dresden  and these themes  become evident  in his novels.  The common thread  between all of  Vonnegut's themes  is war.The bombing  of Dresden had  a profound  impact  on the  life and  writing of  Kurt Vonnegut.  "Rarely has  a single incident  so dominated the work  of a writer" (Goldsmith  IX).  World War  II shaped  many of  Kurt Vonnegut's philosophies  that appear in his  novels, especially Slaughterhouse Five. "With  Slaughterhouse Five, Vonnegut was able  to deal directly with his  war time  nightmare" (Klinkowitz 225). In  Slaughterhouse Five we  witness  a moment  of balance  in Vonnegut's  life when  he finds  himself capable of  dealing with the intense pain  of his Dresden  experience and  ready to go on  with the business of  living. "If  the war becomes a general metaphor for Vonnegut's vision of human  condition,  Dresden becomes  the symbol,  the quintessence" (Reed  186).  What  made  the  Dresden  bombing  even  more  horrible to  Vonnegut was that as a prisoner, he was ironically protected from  the bombs and fire. Planes from  his country did the bombing, and  he  was perpetrator,  observer and  target all  at the  same time  (Goldsmith ix).         Kurt  Vonnegut,  Jr.  was  born  on  November  11,  1922  in  Indianapolis, Indiana.  He later served in  the US Army Infantry.  He was captured after the Battle of the Bulge and sent to Dresden  to work  in a factory.  After being awarded  the Purple Heart  in  1967,   he  received   the  Guggenheim   Fellowship  to  research  Slaughterhouse  Five.  					    
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